| Name | Last modified | Size | Description |
|---|
|
|---|
 Parent Directory | | - | |
| 2025-04-11 | - |
├  Too Good to Remain | 2025 | - | |
| ├ Childhood | 2023 | - | |
| ├ Conversion plug and gummies | 2023 | - | |
| ├ Tender eye | 2023 | - | |
| ├ Egg | 2022 | - | |
| ├ Old hook | 2022 | - | |
| ├ Turism | 2022 | - | |
├  Blanketed Cubes | 2022 | - | |
| ├ Blank Screen | 2021 | - | |
├  Airbag | 2021 | - | |
| ├ Cameraroll(2017-2019) | 2021 | - | |
| ├ Rootless | 2020 | - | |
| ├ Fasten your seat belt | 2020 | - | |
| ├ Water | 2020 | - | |
| ├ A cat of images | 2020 | - | |
| ├ Multiple towel | 2020 | - | |
| ├ Airport | 2020 | - | |
├  Pangea on the Screen | 2020 | - | Curatorial Projects |
| ├ Water with no context | 2020 | - | |
| ├ toiret status - #75.5 | 2020 | - | Collaborated works |
| ├ Resort | 2019 | - | |
| ├ Installation View | 2019 | - | |
| ├ Installation View | 2019 | - | |
| ├ Masamune | 2018 | - | |
| ├ Well-Lighted Watertank | 2018 | - | Collaborated works |
| ├ iPhone 6 Plus | 2018 | - | Collaborated works |
| ├ I Can See It From The Window | 2017 | - | Collaborated works |
| ├ Mandalia Field | 2017 | - | |
| ├ Party Garland | 2017 | - | |
| ├ Melting Party | 2017 | - | |
| ├ Sample | 2017 | - | |
| ├ I'm not a robot | 2017 | - | |
| ├ Flaring | 2017 | - | |
| ├ Untitled(Stingray) | 2017 | - | |
| ├ Skin of Surface(iPhone and Hand) | 2017 | - | |
| ├ Skin of Surface(Jacket) | 2017 | - | |
| ├ Skin of Surface(Husk) | 2017 | - | |
| ├ Skin of Surface(Water) | 2017 | - | |
| ├ Vinder vol.5
| 2017 | - | Collaborated works |
| ├ Desktop | 2017 | - | |
| ├ AD(FRESH) | 2017 | - | |
| ├ AD(ALIVE) | 2017 | - | |
| ├ AD(NATURE) | 2017 | - | |
| ├ Mackeeper | 2017 | - | |
| ├ X-FORCE | 2017 | - | |
| ├ Message | 2017 | - | |
| ├ Humanimal | 2016 | - | |
| ├ Standard Suppressor | 2015 | - | |
| ├ Untitled | 2015 | - | |
| ├ skins | 2015 | - | |
| ├ Sequence Break | 2015 | - | |
| ├ Untitled | 2015 | - | |
| └ Artificial Mother | 2015 | |
| 2022-04-01 | - |
├  選ばれた声、素材、最高じゃない私 | 2022-04 | - | ユリイカ2022年4月号 Hyperpop, 青土社 |
| ├ 手は今へ伸びていく | 2021-06-11 | - | 創造都市横浜, yokohama-sozokaiwai.jp |
| ├ ビデオゲームにおける映像表現と、それらしさ | 2021-04-16 | - | LOOP映像メディア学 東京藝術大学映像研究科紀要〈Vol. 11〉, 左右社 |
| ├ 杖 | 2020-11 | - | Vindr vol.7, cucuruss |
| ├ 円環に留まる倫理 | 2019-12 | - | ユリイカ2019年12月号 Vaporwave, 青土社 |
| ├ 水色のぷにぷに、ポストインターネットアート | 2019-02-01-16:03 | - | themassage.jp |
| └ キャラクターの同一化と引き剥がし | 2018-11 | - | Vindr vol.6, cucuruss |
| 2022-06-01 | - |
| ├ Issei Yamagata《Blanketed Cubes》 | 2022-06-01 | - | Kiritorimederu, artscape.jp |
| ├ Monstera fastening its seatbelt | 2021-02 | - | Kenta Ishige, themassage.jp |
| ├ Interview Issei Yamagata | 2020-05 | - | ECRIT-O vol.12 |
| ├ 相対する現実とフィクション | 2020-04 | - | Yumi Nozoki, 創造都市横浜 |
| ├ NEWAWARDS 2018 | 2018 | - | Japanese Motion Graphic Creators, eizo100.jp/ |
| ├ メディアアーティスト山形一生が手がけたMV 角銅真実「窓から見える」 | 2017-10-02 | - | NEWREEL, newreel.jp/ |
| └ Ryunosuke Goji & Issei Yamagata, January 2017 | 2017-01-23 | - | Kent Wilson, the sub Machine |
| CV and Portfolio/ | 2025-03-01 | - |
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