Name | Last modified | Size | Description |
|
Parent Directory | | - | |
| 2024-03-25 | - |
├ Childhood | 2023 | - | |
├ Conversion plug and gummies | 2023 | - | |
├ Tender eye | 2023 | - | |
├ Egg | 2022 | - | |
├ Old hook | 2022 | - | |
├ Turism | 2022 | - | |
├ Blanketed Cubes | 2022 | - | |
├ Blank Screen | 2021 | - | |
├ Airbag | 2021 | - | |
├ Cameraroll(2017-2019) | 2021 | - | |
├ Rootless | 2020 | - | |
├ Fasten your seat belt | 2020 | - | |
├ Water | 2020 | - | |
├ A cat of images | 2020 | - | |
├ Multiple towel | 2020 | - | |
├ Airport | 2020 | - | |
├ Pangea on the Screen | 2020 | - | Curatorial Projects |
├ Water with no context | 2020 | - | |
├ toiret status - #75.5 | 2020 | - | Collaborated works |
├ Resort | 2019 | - | |
├ Installation View | 2019 | - | |
├ Installation View | 2019 | - | |
├ Masamune | 2018 | - | |
├ Well-Lighted Watertank | 2018 | - | Collaborated works |
├ iPhone 6 Plus | 2018 | - | Collaborated works |
├ I Can See It From The Window | 2017 | - | Collaborated works |
├ Mandalia Field | 2017 | - | |
├ Party Garland | 2017 | - | |
├ Melting Party | 2017 | - | |
├ Sample | 2017 | - | |
├ I'm not a robot | 2017 | - | |
├ Flaring | 2017 | - | |
├ Untitled(Stingray) | 2017 | - | |
├ Skin of Surface(iPhone and Hand) | 2017 | - | |
├ Skin of Surface(Jacket) | 2017 | - | |
├ Skin of Surface(Husk) | 2017 | - | |
├ Skin of Surface(Water) | 2017 | - | |
├ Vinder vol.5
| 2017 | - | Collaborated works |
├ Desktop | 2017 | - | |
├ AD(FRESH) | 2017 | - | |
├ AD(ALIVE) | 2017 | - | |
├ AD(NATURE) | 2017 | - | |
├ Mackeeper | 2017 | - | |
├ X-FORCE | 2017 | - | |
├ Message | 2017 | - | |
├ Humanimal | 2016 | - | |
├ Standard Suppressor | 2015 | - | |
├ Untitled | 2015 | - | |
├ skins | 2015 | - | |
├ Sequence Break | 2015 | - | |
├ Untitled | 2015 | - | |
└ Artificial Mother | 2015 | |
| 2022-04-01 | - |
├ 選ばれた声、素材、最高じゃない私 | 2022-04 | - | ユリイカ2022年4月号 Hyperpop, 青土社 |
├ 手は今へ伸びていく | 2021-06-11 | - | 創造都市横浜, yokohama-sozokaiwai.jp |
├ ビデオゲームにおける映像表現と、それらしさ | 2021-04-16 | - | LOOP映像メディア学 東京藝術大学映像研究科紀要〈Vol. 11〉, 左右社 |
├ 杖 | 2020-11 | - | Vindr vol.7, cucuruss |
├ 円環に留まる倫理 | 2019-12 | - | ユリイカ2019年12月号 Vaporwave, 青土社 |
├ 水色のぷにぷに、ポストインターネットアート | 2019-02-01-16:03 | - | themassage.jp |
└ キャラクターの同一化と引き剥がし | 2018-11 | - | Vindr vol.6, cucuruss |
| 2022-12-23 | - |
├ 山形一生インタビュー | 2022-12-23 | - | Masanori Mizuno |
├ Issei Yamagata《Blanketed Cubes》 | 2022-06-01 | - | Kiritorimederu, artscape.jp |
├ Monstera fastening its seatbelt | 2021-02 | - | Kenta Ishige, themassage.jp |
├ Interview Issei Yamagata | 2020-05 | - | ECRIT-O vol.12 |
├ 相対する現実とフィクション――アーティスト・山形一生さんが提示した展覧会とは | 2020-04 | - | Yumi Nozoki, 創造都市横浜 |
├ NEWAWARDS 2018 | 2018 | - | Japanese Motion Graphic Creators, eizo100.jp/ |
├ メディアアーティスト山形一生が手がけたMV 角銅真実「窓から見える」 | 2017-10-02 | - | NEWREEL, newreel.jp/ |
└ Ryunosuke Goji & Issei Yamagata, January 2017 | 2017-01-23 | - | Kent Wilson, the sub Machine |
Curriculum Vitae/ | 2024-02-23 | - |
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